Michael On
Michael On
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We had been predicting home price increases would slow down. Now they won't slow as quickly.
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We had brief discussions with the SG and his entourage.
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When I was a student at Miami University in the 1970s, one of our class projects was to come to Dayton and study that site.
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When I was at the CIA I asked my civilian advisory board to tackle some tough questions. Among the toughest: In a political culture that every day demands more transparency and more public accountability from every aspect of national life, could American intelligence continue to survive and succeed? That jury is still out.
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When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.
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When I was at U.C.L.A., I worked my way through school as a tour guide at Universal Studios, and I came in contact with a lot of people in the agency business.
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When I was auditioning for 'Gotham,' I got a handful of comics from different decades, so I had a perspective - it's been around for 75 years, which is a long time.
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When you put a rag to a very dusty finish, it's like taking sandpaper to it.
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When you're a 20-something-year-old athlete and you're getting a six-figure check every week, you're not thinking about next week. You're not thinking, 'I'm going to be broke,' or 'I'm going to need another job.' But I'll tell you, there are a lot of broke athletes out there - I know plenty - and I didn't want to end up as one.
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When you're a kid you just think about where you are going to be to put yourself in a position for the next scoring chance. But as you develop, you start to do things that may not catch the eye of the normal football watcher, the dropping back, the closing down.
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When you're a screenwriter working on a film, you're not really even welcome on set, even if you know... When I wrote 'Elizabeth' and Shekhar Kapur was a friend of mine, but I wasn't really welcome on set, because the director is God and it's a very difficult position for a screenwriter who's put so much passion into that, into the writing.
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Whenever you introduce a new product, you introduce risk.
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Whenever you're reporting, there's always something you can't say or write, but the questions, you always want to get as close to that line as possible. You want to ask the tough questions.
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Whenever you see a guy by the interstate ramp with a sign, that guy is the tip of the iceberg. There's another population you don't see.