Mike Leigh
Mike Leigh
Mike Leigh OBEis an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Artbefore honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by...
NationalityBritish
ProfessionDirector
Date of Birth20 February 1943
country independent odds
There is a great tradition of independent filmmaking in the U.S. that I absolutely respect. There's some wonderful stuff that comes out in this country against all the odds.
world cinema british
I am very happy to be part of European and world cinema as a British filmmaker.
hollywood directors film
The main problem is that the Hollywood system has already made the film before the director shoots a single frame.
hollywood film reason
A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
insecurity film problem
The problem with the British film industry is the nervousness and insecurity about - and genuflection toward - Los Angeles.
artist shooting
You can't make a movie about the artist without shooting outdoors.
nice moving character
He's [Constable] a great painter as far as it goes, but I don't think he's remotely interesting. Not really. It's very pretty and it's very thorough, but it's not evocative, it's not dramatic, it doesn't do what Beethoven does - it doesn't shake you down to the roots of your soul, which Turner does. Constable is just very nice, basically. And moving on to personality, Constable was a very dull character.
hollywood london saws
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
bored pieces film
If a film or any piece of work doesn't entertain, it fails - and that is using the word entertain literally, meaning it holds you there and you become absorbed by it so that you don't walk away and get bored and so on.
optimistic destroying planets
I can't really see how anybody could be particularly optimistic about the future in general because we are destroying the planet.
insecure people actors
In the first place, I'm pretty thorough about whom I choose. I instinctively look for the kind of actor who is going to be trusting. There are all kinds of insecure people out there called actors.
insecure acting actors
Some deeply untrusting actors - the kind that need to know exactly what's what and are completely insecure - might be quite good within the parameters of a certain sort of acting.
girl sexy real
I hate period films - and there are plenty of them - where they say, "Let's not do contemporary language because the audience won't understand it;" "let's not make the girls wear corsets, because it's not sexy" and all that sort of thing. Gradually it disintegrates into a no man's land: you don't really believe it's a period scene and it doesn't feel like it's now because it's not now. You don't feel it's quite real and you don't believe in it.
hollywood popular successful
There is a popular misconception that film-makers have to look to Hollywood to be commercially successful but this is how we have been conditioned.