Mike Nichols
Mike Nichols
Mike Nicholswas a German-American film and theatre director, producer, actor and comedian. He was noted for his ability to work across a range of genres and an aptitude for getting the best out of actors regardless of their acting experience. Nichols began his career in the 1950s with the comedy improvisational troupe, The Compass Players, predecessor of The Second City, in Chicago. He then teamed up with his improv partner, Elaine May, to form the comedy duo Nichols and May...
NationalityGerman
ProfessionDirector
Date of Birth6 November 1931
CityBerlin, Germany
CountryGermany
The degree to which you're peculiar and different is the degree to which you must learn to hear people thinking. Just in self-defense you have to learn, where is their kindness? Where is their danger? Where is their generosity?
American society to me and my brother was thrilling because, first of all, the food made noise. We were so excited about Rice Krispies and Coca-Cola. We had only silent food in our country, and we loved listening to our lunch and breakfast.
I am drawn to the mystery of marriage. You can never know what the contract is between two people, and that is a very strong subject. I think it may be my subject.
When we talk about reviews, what we are really talking about is just a market report - it's like reading about the new Lexus. You have to know what the guy writing the review cares about to understand his take. Does he like sports cars, or does he like Bentleys?
For a director, a musical is a special kind of hell.
My first memory in the world is my gym teacher ripping my mother's necklace off her neck and throwing it out the window and her running downstairs to go after it. I have no memory before that. I was 4. My father had a lot of girlfriends and my mother had a lot of boyfriends.
There are absolutely almost perfect people who experience no guilt; they don't know what it is. They simply do what they need to do - or want to do - next. They see nothing wrong with it. They feel no guilt. They express no guilt. And it's not even certain what harm they do.
Limitations are inspiring: they lead to thinking, so I don't mind them.
That seems to me the great American danger we're all in, that we'll bargain away the experience of being alive for the appearance of it.
The whole point about laughter is it's like mercury: you can't catch it, you can't catch what motivates it - that's why it's funny.
I think that to make something alive, instead of on a page, is an honorable task. And it turns me on.
In a weird way, when I was looking back, I didn't know I was going to be a director until I was.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
We've all heard those fatal words in a relationship where someone says, 'Just tell me. I promise I won't be mad. I just want the answer,' ... Clive Owen asks his wife that question in 'Closer,' but he really doesn't want the answer because it's just a slide into great pain.