Miranda July
Miranda July
Miranda Jennifer Julyis an American film director, screenwriter, actor, author and artist. Her body of work includes film, fiction, monologue, digital media presentations, and live performance art. She wrote, directed and starred in the films Me and You and Everyone We Knowand The Future. Her most recent book, debut novel The First Bad Man, was published in January 2015. July was a recipient of a Creative Capital Emerging Fields Award...
NationalityAmerican
ProfessionDirector
Date of Birth15 February 1974
CityBarre, VT
CountryUnited States of America
In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment?
Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine losing my appetite for those things; they aren't always easy, and they take so much time. In twenty years I'd be interviewing air and water and heat just to remember they mattered.
I don't tally the world, asking, "Would this annoy you? Would this annoy you?" That's so far removed from where I'm at when I'm in the trenches struggling with how to express things that I don't fully understand myself.
Live the dream, Potato.
There's all different kinds of people, but I don't think it's that unusual that once you get like a little power, you get to do your weird thing even more.
This pain, this dying, this is just normal. This is how life is. In fact, I realize, there never was an earthquake. Life is just this way, broken, and I am crazy for dreaming of something else.
I am very sincere. Some people are always kidding, so when you're not, it's going to seem annoying to them.
There was nothing in this world that was not a con, suddenly I understood this. Nothing really mattered, and nothing could be lost.
Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you.
I gave you things I wasn't sure I even had.
I think it's more interesting if you go all the way with the world you have, and really look at it, and push it to an even more extreme extreme.
That is my problem with life, I rush through it, like I'm being chased. Even things whose whole point is slowness, like drinking relaxing tea. When I drink relaxing tea I suck it down as if I'm in a contest for who can drink relaxing tea the quickest.
Things usually make sense in time, and even bad decisions have their own kind of correctness.
Since I started making art, I've always had some kind of project that was really about and for other people, because I think I just need that balance to feel sane myself — you know?