Mitchell Hurwitz
Mitchell Hurwitz
Mitchell D. "Mitch" Hurwitzis an American television writer, producer, and actor. He is best known as the creator of the television sitcom Arrested Development as well as the co-creator of The Ellen Show, and a contributor to The John Larroquette Show and The Golden Girls...
NationalityAmerican
ProfessionTV Producer
Date of Birth29 May 1963
CityAnaheim, CA
CountryUnited States of America
function form shows
The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.
interesting together world
The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very interesting. We'll be discovering it together. It's going to be interesting because they don't have a lot to compare it to.
writing stories hey
Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down."
favors stuff chance
Chance favors the well prepared. The more stuff you throw in, the more chances you have of looking like, 'I did that.'
television film possibility
There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.
writing mean credit
The "executive producer" title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas "producer" is often just a writing credit.
writing thinking negative
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
development easy shows
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
missing together would-be
Even on the old show, we would maybe not all be in the scene. Sometimes there would be a penthouse scene and everyone would get together. But, even in that context, it would be because somebody was missing.
night thinking numbers
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, "We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service."
creativity night thinking
If you've got a restaurant, you definitely want the line to be out the door the first night, but you're more interested in people continuing to come to the restaurant. And that's their outlook, a little bit. I think it allows for more creativity, in the process. It allows people to make interesting programming that maybe wouldn't have a place on broadcast networks, if you were just counting people.
fun people challenges
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
fun want rewards
I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.
laughing stories wanted
We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.