Mohsin Hamid
Mohsin Hamid
Mohsin Hamidis a British Pakistani novelist and writer. His novels are Moth Smoke, The Reluctant Fundamentalist, and How to Get Filthy Rich in Rising Asia...
NationalityPakistani
ProfessionWriter
CountryPakistan
aspect cling describe people realized trying
I've realized that it's important to stop trying to think I'm any one thing. People are confused as to their identity and try to cling to one aspect of that identity to describe what they are: American, Republican, Muslim. These are really incomplete.
comprehend gaze notions recognise reflects
In Sufi terms, there are two very interesting notions of transcendence. One is to gaze out at the universe and to comprehend that what you see out there reflects what you are. The other one is to look inside yourself and recognise that the universe is present there.
cultural drown quite rest scenes
There are many cultural scenes in Lahore, just as there are in London. And there is a celebrity culture here, just as there is in London. But in Lahore, the celebrity scene doesn't drown out the rest quite so much.
among characters courage deal deeper digging growing people taking treatment younger
I think there's a growing courage among the younger generation of American writers. Because of the more superficial treatment of characters taking place in cinema, they have had to deal with that by digging deeper into who these people are.
complex given great
I don't want to be a propagandist or say that Pakistan is just great. There are problems, but it is a much more complex place than we are given to believe.
candy car city coming drive entourage exposed looking outside people restaurant seeing somebody state store village watching whether
Being outside the candy store looking in is the state of people today. Whether you're in a Pakistani village watching somebody in a car drive by, or you're in the city of Lahore going to a restaurant and seeing somebody with a security entourage coming in... you're exposed to people with more.
aggression imagine narrative political towards
It's very easy, if you come from a place like Pakistan, to imagine that there's a narrative of American aggression towards the place that you come from. But that, in itself, is just a political view.
attracting people talented thrives
I like the idea of an open, international London that thrives on attracting hard-working, talented people but has the confidence to tell them they must play by the same rules as everyone else.
echoes empathy persons
Empathy is about finding echoes of another person in yourself.
breakup regret love-you
If you have ever, sir, been through a breakup of a romantic relationship that involved great love, you will perhaps understand what I experienced. There is in such situations usually a moment of passion during which the unthinkable is said; this is followed by a sense of euphoria at finally being liberated; the world seems fresh as if seen for the first time then comes the inevitable period of doubt, the desperate and doomed backpedaling of regret; and only later, once emotions have receded, is one able to view with equanimity the journey through which one has passed.
obvious-things assassins imagine
It seems an obvious thing to say, but you should not imagine that we Pakistanis are all potential terrorists, just as we should not imagine that you Americans are all undercover assassins.
writing childhood gone
We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.
writing
Being a writer is not the point. Writing is.
machines television produce
When the machine of a human being is turned on, it seems to produce a protagonist, just as a television produces an image.