Naomi Klein

Naomi Klein
Naomi Kleinis a Canadian author, social activist, and filmmaker known for her political analyses and criticism of corporate globalization and of corporate capitalism. She first became known internationally for No Logo; The Take, a documentary film about Argentina’s occupied factories that was written by Klein and directed by her husband Avi Lewis; and The Shock Doctrine, a critical analysis of the history of neoliberal economics that was adapted into a six-minute companion film by Alfonso and Jonás Cuarón, as well...
NationalityCanadian
ProfessionActivist
Date of Birth8 May 1970
CountryCanada
And if there is one thing we can be sure of, it’s that extreme weather events like Superstorm Sandy, Typhoon Haiyan in the Philippines, and the British floods—disasters that, combined, pummeled coastlines beyond recognition, ravaged millions of homes, and killed many thousands—are going to keep coming.
We can't leave everything to the free market. In fact, climate change is, I would argue, the greatest single free-market failure. This is what happens when you don't regulate corporations and you allow them to treat the atmosphere as an open sewer.
The anti-war movement should turn itself into a pro-democracy movement
Either greed belongs in a war zone, or it doesn't. You can't unleash it in the name of sparking an economic boom and then be shocked when Halliburton overcharges for everything from towels to gas, when Parsons' sub, sub, sub-contractor builds a police academy where the pipes drip raw sewage on the heads of army cadets and where Blackwater investigates itself and finds it acted honorably. That's just corporations doing what they do and Iraq is a privatized war zone so that's what you get. Build a frontier, you get cowboys and robber barons.
We are looking to brands for poetry and for spirituality, because we're not getting those things from our communities or from each other.
Indeed the three policy pillars of the neoliberal age-privatization of the public sphere, deregulation of the corporate sector, and the lowering of income and corporate taxes, paid for with cuts to public spending-are each incompatible with many of the actions we must take to bring our emissions to safe levels.
I think there is a danger that an environmental crisis can be used in precisely the same way as the terrorist threat can be used in terms of giving up freedom.
I think this has been a class war waged by the rich against the poor, and I think that they won. And I think the poor are fighting back.
But we need to be very clear: because of our decades of collective denial, no gradual, incremental options are now available to us.
Africa is poor because its investors and its creditors are unspeakably rich.
Hope has never trickled down, it has always sprung up.
Extreme violence has a way of preventing us from seeing the interests it serves.
Like Russia's gangsterism and Bush's cronyism, contemporary Iraq is a creation of the fifty-year crusade to privatize the world. Rather than being disowned by its creators, it deserves to be seen as the purest incarnation yet of the ideology that gave it birth.
I see The Gap ads as being a great example of how branding has changed. Those Gap campaigns are pop culture. They've been incredibly powerful. They have had the kind of effect on culture that a hit band has. Just look at The Gap's Khaki swing ads, which were music videos. They had this tremendous impact on the industry - suddenly everything started looking like Gap ads and it became difficult to know who was co-opting whom and who was creating culture.