Natalie Cole
Natalie Cole
Natalie Maria Colewas an American singer-songwriter, and actress. The daughter of Nat King Cole, she rose to musical success in the mid-1970s as an R&B artist with the hits "This Will Be", "Inseparable", and "Our Love". After a period of failing sales and performances due to a heavy drug addiction, Cole re-emerged as a pop artist with the 1987 album Everlasting and her cover of Bruce Springsteen's "Pink Cadillac". In the 1990s, she re-recorded standards by her father, resulting in...
NationalityAmerican
ProfessionJazz Singer
Date of Birth6 February 1950
CityLos Angeles, CA
CountryUnited States of America
Even when I had no money, I spent everything I had on clothes.
God was going to be to me the father that I never had, the father that I didn't have enough of, enough time with.
I can laugh at myself because I've had to. Everything would have been much worse if I'd been the singing son of Nat 'King' Cole.
I continually acted up to get attention. My father gave me that, and once he left, I felt that I didn't have any.
I feel enough distance from the person I used to be. I'm not ashamed about my life anymore, because I've learnt from it.
I had to make peace with my past because I can't change it.
I have been on dialysis in Istanbul, Milan, Indonesia, Manila, London. It's - it's amazing.
I have been to hell and back. I have seen the edge. I have seen the dark side of life.
I like Kelly Rowland, I think that she's great. It's hard to come out of the group of Destiny's Child and still kick some butt.
I look 10 years younger than I am. Unfortunately, sometimes I act like I'm 10 years old.
There are some great human beings out there. That's all I can say.
When I was old enough to walk home alone from school, I loved seeing our house from a distance. It sat on the corner of South Muirfield Road and West 4th Street and had this proud, majestic look. But I rarely went through the front door. The back was more dramatic.
We used to have to arrange things around the dialysis. I would have to plan where to play so I could be back in time, and couldn't go too far.
When I did 'Unforgettable,' it wasn't appropriate for us to take liberties with that music. There had to be kind of a fine line between what had made it so great and the fact that a woman was singing it. We changed some of the arrangements, but not too much.