Nick Park
Nick Park
Nicholas Wulstan "Nick" Park, CBE is an English director, writer, and animator best known as the creator of Wallace and Gromit and Shaun the Sheep. Park has been nominated for an Academy Award a total of six times, and won four with Creature Comforts, The Wrong Trousers, A Close Shave, and Wallace & Gromit: The Curse of the Were-Rabbit...
NationalityBritish
ProfessionDirector
Date of Birth6 December 1958
enough audience ifs
If you respect the audience enough, they can take onboard many things.
kindness
You have to kind of let it go,
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My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it. You could pile them up under the bed, and if you were off school ill, you'd go through them all.
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Success brings with it pressure to conform. I always thought that success would lead to freedom, but the opposite is true: more people get involved, and committees make decisions, and it becomes a fight to stay free.
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Wallace and Gromit's contraptions are created purely for gags, but we all have the urge to invent - especially children. If they're bored, kids will make something from cardboard boxes, yoghurt pots, tape and elastic bands. Often, those constructions are the best.
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There are things that have gone -- sets and props from The Wrong Trousers.
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This rabbit is really a vicious monster. He doesn't eat people, but instead saves his dirty work for vegetables. In many ways, we're the world's first vegetarian horror movie.
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We actually provided a clay bunny, and he was scanned into a computer, fingerprints and all, ... And then he was cloned many times so they could show them all floating around inside the glass chamber in slow motion.
dream taken true
Yeah! For me, it's a dream come true just to be taken seriously, in a sense.
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I went back over the sketch books I'd filled at Sheffield for ideas and discovered Wallace and Gromit, except Gromit was a cat then. I made them into Plasticene shapes and started 'A Grand Day Out.' It took me longer than I expected.
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As I get on and films take four years to complete, I tend to have a hankering for very short projects so you can move on to the next idea. It's the ideas I'm interested in. What comes out of your head.
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I love doing features, but it's a very different ballgame. Sometimes I yearn for short films again, working with a small team, getting my hands on the clay.
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Mainstream animated movies are dumbed-down and sanitised: they make the world in their own image rather than exploring the limitless possibilities that are out there.
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When I watched the film yesterday, I found it hard to relax. It was great to hear the reaction of the audience on the one hand, and that was such a relief, but on the other hand I was still trying to make the film, trying to do different edits.