Nicole Krauss
Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
I was never a man of great ambition I cried too easily I didn't have a head for science Words often failed me While others prayed I only moved my lips
...larger than life...I've never understood that expression. What's larger than life?
The misery of other people is only an abstraction something that can be sympathized with only by drawing from one's own experiences. But as it stands, true empathy remains impossible. And so long as it is, people will continue to suffer the pressure of their seemingly singular existence.
To walk into a modern-day bookstore is a little bit like studying a single photograph out of the infinite number of photographs that cold be taken of the world: It offers the reader a frame.
Why does one begin to write? Because she feels misunderstood, I guess. Because it never comes out clearly enough when she tries to speak. Because she wants to rephrase the world, to take it in and give it back again differently, so that everything is used and nothing is lost. Because it's something to do to pass the time until she is old enough to experience the things she writes about.
Bruno, my old faithful. I haven't sufficiently described him. Is it enough to say he is indescribable? No. Better to try and fail than not to try at all.
All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist
That he liked to think of himself as a philosopher. That he questioned all things, even the most simple, to the extent that when someone passing him on the street raised his hat and said, 'Good day,' Litvinoff often paused so long to weigh evidence that by the time he'd settled on an answer the person had gone on his way, leaving him standing alone.
When we went into the ocean, I watched his body as he dove into the waves, and it gave me a feeling in my stomach that wasn't an ache but something different.
You’re lost in your own world, in the things that happen there, and you’ve locked all the doors. Sometimes I look at you sleeping. I wake up and look at you and I feel closer to you when you’re like that, unguarded, than when you’re awake. When you’re awake you’re like someone with her eyes closed, watching a movie on the inside of your eyelids. I can’t reach you anymore. Once upon a time I could, but not now, and not for a long time.
The more freedom I allow myself as a writer to wander, become lost and go into uncertain territory - and I am always trying to go to the more awkward place, the more difficult place - the more frightening it is, because I have no plan.
Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement.
All I want is not to die on a day when I went unseen.