Nicole Krauss
Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
What about you? Are you happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.
Loneliness: there is no organ that can take it all.
Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.
In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
lonely people are always up in the middle of the night.
And it's like some tiny nothing that sets off a natural disaster halfway across the world, only this was the opposite of disaster, how by accident she saved me with that thoughtless act of grace, and she never knew, and how that, too, is the part of the history of love.
Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
I left the library. Crossing the street, I was hit head-on by a brutal loneliness. I felt dark and hollow. Abandoned, unnoticed, forgotten, I stood on the sidewalk, a nothing, a gatherer of dust. People hurried past me. and everyone who walked by was happier than I. I felt the old envy. I would have given anything to be one of them.
When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
He held my hand and told me a story about when he was six and threw a rock at a kid's head who was bullying his brother, and how after that no one had bothered either of them again. 'You have to stick up for yourself,' he told me. 'But it's bad to throw rocks,' I said. 'I know. You're smarter than me. You'll find something better than rocks.
In life we sit at the table and refuse to eat, and in death we are eternally hungry.
The oldest emotion in the world may be that of being moved; but to describe it-just to name it-must have been like trying to catch something invisible.
I won't waste your time with the injuries of my childhood, with my loneliness, or the fear and sadness of the years I spent inside my parents' marriage, under the reign of my father's rage, afer all, who isn't a survivor from the wreck of childhood?
A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.