Nicole Krauss
![Nicole Krauss](/assets/img/authors/nicole-krauss.jpg)
Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
What about you? Are you happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you.
And it's like some tiny nothing that sets off a natural disaster halfway across the world, only this was the opposite of disaster, how by accident she saved me with that thoughtless act of grace, and she never knew, and how that, too, is the part of the history of love.
Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
In life we sit at the table and refuse to eat, and in death we are eternally hungry.
A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.
He learned to live with the truth. Not to accept it, but to live with it.
Sometimes, waking early before the others, wandering the rooms wrapped in a blanket or drinking my tea in the empty kitchen, I had that most rare of feelings, the sense that the world, so consistently overwhelming and incomprehensible, in fact has an order, oblique as it may seem, and I a place within it.
How was it possible to wake up every day and be recognizable to another when so often one was barely recognizable to oneself?
In the beginning it was always the same. But. I kept trying. Then one day I accidentally moved as the shutter clicked. A shadow appeared. The next time I saw the outline of my face, and a few weeks later my face itself. It was the opposite of disappearing.
He died alone because he was too embarrassed to phone anyone.
The misery of other people is only an abstraction something that can be sympathized with only by drawing from one's own experiences. But as it stands, true empathy remains impossible. And so long as it is, people will continue to suffer the pressure of their seemingly singular existence.
Bruno, my old faithful. I haven't sufficiently described him. Is it enough to say he is indescribable? No. Better to try and fail than not to try at all.
All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist