Noah Hawley
Noah Hawley
Noah Hawleyis an American film and television producer, screenwriter, composer, and bestselling author, known for creating and writing the FX anthology television series Fargo. Hawley was a writer and producer on the first three seasons of the television series Bones and also created The Unusualsand My Generation. He wrote the screenplay for the film The Alibi...
NationalityAmerican
ProfessionProducer
CountryUnited States of America
writing waiting tvs
In the TV business, you've got to write fast, and someone will tell you, "Can you rewrite this episode before ... 6 p.m.?" So that's when you rewrite it. You can't wait for the muse to show up.
writing airplane up-early
If I have to write on an airplane or get up early to write or write late, you just gotta sit down. When you have the time, you have to be able to do it.
clarity notes
There's only one note you ever get in broadcast and that's clarity.
talking people half
Half of a broadcast show, in my experience, is things happening, and the other half is people talking about how they feel about the things that happened. And so there's this sense of everyone saying their subtext out loud.
book imagination mind
A novel is a relationship, you know? When you read a book, the writer has done half the work, and you're doing half the work. You're providing the imagination, the words are turning into pictures in your mind, there's an active relationship that's going on.
book world like-you
There's still nothing like a book to really make you feel like you've disappeared into a world.
book character ideas
In a book you can really talk about ideas and themes and characters in a deeper way than you can even on the screen.
moving mean one-direction
It's amazing how flexible the human mind is in terms of jumping into a backstory or an aside. Vonnegut is a great example - it's not a linear story by any means, but somehow your brain is keeping it moving in one direction even though the story is taking you in all these different directions.
important trying stories
It's always very important to me to try to create a story that feels unpredictable. You can't jump ahead and see what's coming, but at the end, when you've watched the whole thing, it all feels inevitable.
mean dragons maps
Some roads you shouldn't go down. Because maps used to say there were dragons here. Now they don't. But that don't mean the dragons aren't there.
years relax cuba
I'm thirty-six years old and I've been married once and he left and I don't want to feel this way anymore. Like I can't be vulnerable. Can't relax. It's exhausting, always being on the defensive, keeping my guard up. I feel like Cuba.
beloved second throw turn
The first dumb idea was to do it at all - to take 'Fargo,' this beloved classic, and turn it into a television show. The second dumb idea, when you do it and it works, was to throw everything out and start again.
becomes cut ensemble great might move page scene second work
The great thing about making an ensemble show is it becomes modular. It might work on the page to cut from one scene to another, but on the screen, it's more powerful to take that second scene and move it first or move it later.
easier imagination network requires
The idea was always going to be that each year is a stand-alone story, which did make it easier on some level. It also requires the network to have the creative imagination to say, 'This is also 'Fargo,'' you know what I mean?