Pablo Picasso
Pablo Picasso
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are...
NationalitySpanish
ProfessionPainter
Date of Birth25 October 1881
CityMalaga, Spain
CountrySpain
The artist is a receptacle for the emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.
What do you think an artist is? An imbecile who has only his eyes if he is a painter, or his ears if he is a musician, or a lyre at every level of his heart if he is a poet, or, if he is merely a boxer, only his muscle? On the contrary, he is at the same time a political being, constantly alert to the heartrending, burning, or happy events in the world, molding himself in their likeness.
We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.
It's not what the artist does that counts; it's what he is.
A plagiarist steals from one person. A true artist steals from everybody.
When you begin a picture you often make some pretty discoveries. You must be on guard against these. Destroy the thing, do it over several times. In each destroying of a beautiful discovery, the artist does not really suppress it, but rather condenses it, makes it more substantial. What comes out in the end is the result of discarded finds. Otherwise you become your own connoisseur.
When you start with a portrait and search for a pure form, a clear volume, through successive eliminations, you arrive inevitably at the egg. Likewise, starting with the egg and following the same process in reverse, one finishes with the portrait.
They ought to put out the eyes of painters as they do goldfinches in order that they can sing better.
It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.
Now there is fame! Of all - hunger, misery, the incomprehension by the public - fame is by far the worst. It is the castigation of God by the artist. It is sad. It is true.
It's a poor artist who borrows--a good artist steals.
We must not discriminate between things. Where things are concerned there are no class distinctions. We must pick out what is good for us where we can find it.
When I paint I feel that all the artists of the past are behind me.
The artist spends the first part of his life with the dead, the second with the living, and the third with himself.