Park Chan-wook
Park Chan-wook
Park Chan-wookis a South Korean film director, screenwriter, producer, and former film critic. One of the most acclaimed and popular filmmakers in his native country, Park is most known for his films Joint Security Area, Thirst and what has become known as The Vengeance Trilogy, consisting of 2002's Sympathy for Mr. Vengeance, 2003's Oldboy and 2005's Lady Vengeance. His films are noted for their immaculate framing, black humor and often brutal subject matter...
NationalitySouth Korean
ProfessionDirector
Date of Birth23 August 1963
When it comes to remaking my own films in the English language, I can only imagine that it is a very boring process, I wouldn't ever dream of it.
Lots of people think the violence in the films I make is overwhelming, but they think they're seeing something that they aren't seeing.
When I grow older and less popular, there will come a time when I have to shoot films on low budgets.
I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.
I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.
I guess I probably make violent films partly because I can't express my anger in my real life very well.
When we are confronted with extreme situations, we forget about moral issues; we simply act and must then accept the consequences.
Whether it's trivial or important, every choice has a moral aspect to it to a certain degree.
When I was making my first films, I was very interested in Hollywood B movies.
I don't think I've ever tried to make something happen that I've absolutely had to force. You know how they say: if you can't avoid it, enjoy it. For me, it's the other way around: if I can't enjoy it, I avoid it.
I am sure I am one of 2,000 film directors in the world that Tarantino admires.
Visual elements are, of course, the director's job.
It is not possible for a person to be completely free of sin and be squeaky clean.
When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.