Paul Klee
![Paul Klee](/assets/img/authors/paul-klee.jpg)
Paul Klee
Paul Kleewas a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory, published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian...
NationalitySwiss
ProfessionPainter
Date of Birth18 December 1879
CityMunchenbuchsee, Switzerland
CountrySwitzerland
Standing at his appointed place, at the trunk of the tree, he does nothing other than gather and pass on what comes to him from the depths. And the beauty at the crown is not his own. He is merely a channel.
Beauty is as relative as light and dark. Thus, there exists no beautiful woman, none at all, because you are never certain that a still far more beautiful woman will not appear and completely shame the supposed beauty of the first.
Genius is the error in the system.
Make chance essential.
We construct and keep on constructing, yet intuition is still a good thing.
To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.
I still come closest to success with drawing.
I want to be as though new-born, knowing nothing, absolutely nothing... then I want to do something modest; to work out by myself a tiny, formal motive, one that my pencil will be able to hold without technique.
There is no substitute for intuition.
For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind
Everything vanishes round me and good works rise from me of their own accord.
A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
The beautiful, which is perhaps inseparable from art, is not after all tied to the subject, but to the pictorial representation. In this way and in no other does art overcome the ugly without avoiding it.
Be winged arrows aiming at fulfillment and goal.