Paul McCartney
Paul McCartney
Sir James Paul McCartney, MBEis an English singer-songwriter, multi-instrumentalist, and composer. With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame with the rock band the Beatles, one of the most popular and influential groups in the history of pop music. His songwriting partnership with Lennon is one of the most celebrated of the 20th century. After the band's break-up, he pursued a solo career and formed Wings with his first wife, Linda, and Denny Laine...
NationalityEnglish
ProfessionRock Singer
Date of Birth18 June 1942
CityLiverpool, England
I do have a spongelike ear or mentality or whatever you call it, but it's probably a bit subconscious.
I should be able to look at my accolades and go, "Come on, Paul. That's enough." But there's still this little voice in the back of my brain that goes, "No, no, no. You could do better. This person over here is excelling. Try harder!" It still can be a little bit intimidating.
A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.
You're always looking at last year, or 10 years ago, or your school days, or your teenage years, your formative years. Because that's exactly what they are, they're your formative years.
In some ways we live in a world where things appear to be very logical, very rational, and mechanical aspects of our world are rather scientific and rather straightforward.
I think that selling rights is a bad move commercially, not just morally. It cheapens the songs. When people come to my concerts, they often hold up candles when we do "Let It Be." I don't think they'd do that anymore if the song suddenly became part of an Oldsmobile ad.
My stepmother sold my birth certificate and someone asked why I didn't buy it back. I don't know, really. I just couldn't bring myself to do it. It was mine. It cost me nothing and suddenly I had to buy it back.
It's a powerful thing hearing your friend on a very beautiful song.
Sometimes you write a song in a certain era and it's got a certain kind of significance.
The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out.
I am quite happy that the Beatles came and went. There is even a sort of glory in not having it go on forever. There is a complete body of work that went from A to Z and it is all pretty damn good stuff. The one thing I am particularly proud of is that nearly every single bit of it has some good message. I feel fortunate when I look back. Life is not easy, but I've been very lucky - and I'm touching wood as I say that.
I'm not a great practiser at all. We were never great practisers. The Beatles would come together for about a day before we had a tour, to make sure the amp worked.
Domesticity is the enemy of art. I don't know if that's true. You can write good happy songs. So, I don't think it's necessarily happiness. But I think self-satisfaction is maybe the enemy. It's kind of better to think, "Tomorrow night I'm gonna sing it better." There is this forward effort. It feels to me right, it feels human.
It's not unusual for writers to look backward. Because that's your pool of resources. If you were to write something now, I bet there's a pretty good chance you'd call on your teenage years, your experiences then, stuff you learned then.