Pedro Almodovar

Pedro Almodovar
Pedro Almodóvar Caballero is a Spanish film director, screenwriter, producer and former actor. He came to prominence as a director and screenwriter during La Movida Madrileña, a cultural renaissance that followed the death of Spanish dictator Francisco Franco. His first few films characterised the sense of sexual and political freedom of the period. In 1986, he established his own film production company, El Deseo, with his younger brother Agustín Almodóvar, responsible for producing all of his films since Law of...
NationalitySpanish
ProfessionDirector
Date of Birth25 September 1949
CountrySpain
I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
All my movies are difficult to classify because they are very eclectic in mixing genres.
Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
Anything that is not autobiography is plagiarism.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
Cukor is one of my favorite directors. He was a master at directing women.
Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
I'm more interested to show the darkest places of myself, and I don't joke about it.
When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Never again work in the same conditions in whichyou made your first film. It's good to take risks, but not thatmuch risk.
An ample arse helps you to be weighed down and be grounded.