Pete Seeger

Pete Seeger
Peter "Pete" Seegerwas an American folk singer and social activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music...
NationalityAmerican
ProfessionFolk Singer
Date of Birth3 May 1919
CityNew York City, NY
CountryUnited States of America
Plagiarism is basic to all culture
A productive mistake is: (1) made in the service of mission and vision; (2) acknowledged as a mistake; (3) learned from; (4) considered valuable; (5) shared for the benefit of all.
I came along and was a teenager in the Depression, and nobody had jobs. So I went out hitchhiking, when I met a man named Woody Guthrie. He was the single biggest part of my education.
The world will be saved by people fighting for their homes.
Most conservatives just want to turn back the clock to a time before the income tax - 100 years or so. I would like to turn the clock back thousands of years to a time when people lived in small communities and took care of each other.
Sometimes you find an old tune so good you can use it several times for different purposes.
I think folk music helps reinforce your sense of history. An old song makes you think of times gone by.
John Adams and Thomas Jefferson corresponded for 13 years before they died on the same day. They asked, "How can one have prosperity without commerce? How can one have commerce without luxury? How can one have luxury without corruption? How can you have corruption without the end of the Republic?" And they really didn't know the answer.
Alan Lomax is the person who I think should be given major credit for what has been called the "Folk Song Revival." My father participated with him because my father was a musicologist and urged trained musicians to learn about "the vernacular."
There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.
I was never enthusiastic about being somebody who was supposed to be silent about being a member of something.
Alan [Lomax] and his father started off changing the definition of folk music from something ancient and anonymous to something very contemporary.
Throughout history, the leaders of countries have been very particular of what songs should be sung. We know the power of songs.
When you play the 12-string guitar, you spend half your life tuning the instrument and the other half playing it out of tune.