Philip Schultz
Philip Schultz
Philip Schultzis an American poet, and the founder/director of The Writers Studio, a private school for fiction and poetry writing based in New York City. He is the author of several collections of poetry, including The God of Loneliness, Selected and New Poems; Failure, winner of the 2008 Pulitzer Prize in Poetry; Living in the Past; and The Holy Worm of Praise. He is also the author of Deep Within the Ravine Viking Penguin, 1984), which was the Lamont Poetry...
NationalityAmerican
ProfessionPoet
CountryUnited States of America
based dyslexia figure formulas intuition itself lends method original rote trial trying
Dyslexia lends itself to original thinking, not rote formulas, because you can't do the formulas - you think up your own method based on intuition and instincts. Creativity is trial and error, trying to figure out a way to do something emotionally and intuitively.
airport almost dyslexia gives somewhere station stepped time train traveling wishing
I can't remember a time when I stepped into an airport or train station without wishing I were somewhere else, doing almost anything else. Just thinking about traveling gives me the willies. Traveling and dyslexia don't really get along.
anyone worked
I don't think I've worked with anyone where I haven't seen some progress. Now sometimes you can't take someone where they want to go, not all the way, and sometimes you stop, and they do it or don't do it on their own thereafter.
eventually excluded felt imagined kids quote
I eventually just imagined being a little boy who was quote unquote 'normal': who could learn like all the kids around me that I felt excluded from. And I imagined myself into one of these and into someone who could read.
aloud avoid memorize rehearse trouble ways
I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.
convince enjoyable exciting good sentence understand worth
I have to often read the same sentence over and over before I understand it. And I have to convince myself that what I'm reading is so enjoyable and so exciting and so good for me that it's worth the effort.
dyslexia maybe
I think I was 16 when I had the thought of maybe being a writer. And this is complicated, something I only now understand, because when I was young, having dyslexia and not knowing it made reading such an ordeal.
delicate diminish disguise great people power precious relationship source
I think one's relationship with one's vulnerability is a very delicate and precious relationship. Most people try to hide, disguise that vulnerability, and in doing that, you, I think, diminish a great source of power.
father names people
To pay for my father's funeral I borrowed money from people he already owed money to. One called him a nobody. No, I said, he was a failure. You can't remember a nobody's name, that's why they're called nobodies. Failures are unforgettable.
powerful wanted
Happiness is a powerful thing. It freed me to do what I always wanted to do.
father struggle long
My father's death when I was eighteen and his struggles as a Jewish immigrant provided me with the raw material, but for a long time I went from painting to fiction and then finally to poetry before I could find the right way of telling this story.
dream art mind
Art is a crime scene in a sense, a crucible, of the mind and heart and our dreams.
along chapters deeper examining focused overall poetry sign word
With my fiction, I focused on chapters and overall conceptions, while in poetry, I crawled along in the trenches of each sentence, examining every word for a sign of a deeper significance.
family fiction gap married poetry school starting stopped work
There is a gap in my work from '84 to 2002, 18 years where I stopped writing. I was working at fiction and other things and starting a school and getting married and starting a family, but I wasn't writing poetry for the better part of 15 years.