Philippe Petit
Philippe Petit
Philippe Petitis a French high-wire artist who gained fame for his high-wire walk between the Twin Towers of the World Trade Center in New York City, on the morning of August 7, 1974. For his unauthorized feat1,350 feetabove the ground, he rigged a 450-poundcable and used a custom-made 26-footlong, 55-poundbalancing pole. He performed for 45 minutes, making eight passes along the wire. The following week, he celebrated his 25th birthday. All charges were dismissed in exchange for him doing a...
NationalityFrench
ProfessionPerformance Artist
Date of Birth13 August 1949
CityNemours, France
CountryFrance
Improvisation is empowering because it welcomes the unknown. And since what's impossible is always unknown, it allows me to believe I can cheat the impossible.
I am the poet of the high wire - I never do stunts; I do theatrical performances.
I am very sensitive to all form of music, painting, sculpting, dancing, and I love cinema also. For example if I look at the work of the dancer Mikhail Baryshnikov, who happens to be a friend of mine, everything he does is inspiring to me.
Wirewalker, trust your feet! Let them lead you; they know the way.
If I die, what a beautiful death.
The practical answer is, no it would be totally impossible for young or foreign people to get access to roof of a building that stands in the heart of a giant city and to put a cable across.
You can always find a way to do something. Now, of course, when I do the action, it's an action that inspires people, it's a gift to people, it's not the other way around, I do not take something, I do not hurt people. Yes, I think today would be more than impossible and yet part of me would think that I continue to think that nothing is impossible.
I have walked many times around the world and each time it's different from the last one. It feels a little bit like I am a theatrical director, creating a theatre in space. It's really a theater in the sky. But of course the World Trade Center is certainly the most well-known of my productions.
On one side, the mass of a mountain. A life I know. On the other, the universe of the clouds, so full of unknown that it seems empty to us. Too much space.
If I look at the performance of another friend Sting, whenever I hear him take over a stage and share his art with millions, it's very inspiring to me. So I have a lot in my life, a lot of friends who inspire me and I'm sure it goes the other way around, or so that I inspire them.
For me, when I am on the wire, I do not have a problem of eliminating or blocking fear. I do not really feel fear, although it is a fearful activity to walk in thin air, as I do without any safety device, but I am not fearful.
Life should be lived on the edge of life.
I usually practice on a small, low wire, that features the predominant wind. I study the meteorology of the place at the time that I am supposed to do my walk, and then I find the predominant direction and velocity of the wind and I train to fight that wind.
Why does almost every ad agency in the world set the time on a watch at 10:10 before photographing it?