Quentin Tarantino
Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.
I have loved movies as the number one thing in my life so long that I can't ever remember a time when I didn't.
I couldn't spell anything. I couldn't remember anything, but I could go to a movie and I knew who starred in it, who directed it, everything.
I don't judge my characters, and that's my job not to judge them. It's my job to treat them with respect and to just look at it from their point of view.
The good ideas will survive.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
To be a novelist, all I need is a pen and a piece of paper.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
Violence is fun, man.
Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.
Don't write what you think people want to read. Find your voice and write about what's in your heart.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
It hit me that an Apache resistance would be a wonderful -you know, it would be a wonderful metaphor for Jewish-American soldiers to be using behind enemy lines against the Nazis because the Apache Indians were able to fight off for decades both the Spaniards and the Mexicans and the U.S. Cavalry for years because of their - they were great guerrilla fighters. They were great resistance fighters. And one of their ways of winning battles was psychological battles.