Ralph Fiennes
Ralph Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennesis an English actor. A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre...
NationalityBritish
ProfessionMovie Actor
Date of Birth22 December 1962
CityIpswich, England
good head knife people quite shoot threat
I can't go and shoot people in the back of the head because It's a kids' movie, which is actually quite a good test because you haven't got the overt threat of a knife in the face.
british-actor second shoot
There's only one day to shoot one scene, you don't get a second chance. You've got to say, This is what I feel. Could I try this?
avoid call camera guerrilla informs might particular shooting smacks street style wants
Fernando has a particular shooting style, ... which you might call guerrilla or documentary. He wants to avoid anything that smacks of a camera setup. It's as if the street informs the camera.
bit chance justin quite succeed
Justin was a chance to play what I don't quite succeed at. There's a bit of Justin that I'm not, but I'd like to be,
detective journey playing traces
Justin's journey traces not only what Tessa was investigating, he's also playing detective about their relationship,
justin sees
Justin sees something in Tessa. She's getting at him,
carefully justin respond
Justin isn't going to respond angrily ... he's going to carefully say, 'What was she doing?
last
That's the last thing that I would do. I wouldn't be that patronizing.
areas british-actor coming degree poverty ready rich shocked
When you go to areas that have poverty of that level, you're ready to feel shocked and some degree of shame, coming in as a rich westerner.
british-actor
It was just two energies between two people, you can't prescribe that.
begin
I don't think he's that complicated to begin with,
marketing people talking
But that's why we have marketing and why I'm talking to people like you,
center chance complexity drawn flood hate says suppose
he says at the end of a flood of interviews. ''I hate this word. I don't see them as tortured. I see them as people. I suppose I'm drawn to the chance to show the complexity at the center of the drama.
active background character extra pulse within
We were in real places, with real people. That is Fernando's gift. The Kenyan background is like an extra character, an active pulse within the drama.