Ray Winstone
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Ray Winstone
Raymond Andrew "Ray" Winstoneis an English film and television actor. He is mostly known for his "hard man" roles, beginning with his role as Carlin in the 1979 film Scum and Will Scarlet in the television series Robin of Sherwood. He has also become well known as a voice over actor, and has recently branched out into film production. He has appeared in films such as Cold Mountain, Nil By Mouth, King Arthur, The Magic Roundabout, The Departed, Beowulf, Indiana...
NationalityEnglish
ProfessionMovie Actor
Date of Birth19 February 1957
The original 'Edge of Darkness' was fantastic, a fabulous series. It was of its time, but this film version shows that times really haven't changed.
I went to the audition for a laugh and got the part for the way I walked down the corridor. There's no justice is there? [on getting a role from an audition
By being with my kids. I'm like a lion who hunts and comes home to be looked after and sleep. I think girls tend to be drawn towards their dad. I'd love to have a son, but I have three kids who are great - three geezer birds and that's all I need to worry about.
Elaine and I got married in summer 1979, we went on our honeymoon and came back for the premiere of Scum. All of sudden my face was on billboards in Leicester Square and people were crowding outside the cinema, going mad about the film. It was a complete shock.
I'm probably not very funny. The scripts just don't come in, or the ones that do aren't that good. I suppose I'm just an old drama queen, really.
I pile on the weight when I work. All that location catering's not good for the love handles. I lose a bit when I'm not working, but I love my food and the occasional snifter.
Working with Scorsese was an absolute dream, and one of my favourite ever jobs was 'Beowulf' because it was just pure acting. Your imagination explodes as you try to imagine you're fighting a dragon or whatever.
I think the difference is that Angelina didn't need any CGI enhancement and I did! You can't really think about some things too much, you just get on with it and do it. It's about the way you move and the way you sound.
I'm lucky enough to have a kid with me who is actually really intellectually up with what's going on in the world and actually puts his money where his mouth is and goes and does something about it; he goes and talks about it. It livens you up a bit and it brings you into the 21st Century.
Almost all politicians drive me insane. These people are supposed to be looking after us. What I hate is that we don't speak up enough as a nation and take on the government.
Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema.
Sometimes when you're making a film and something happens during a scene that you've just thought of, it can be missed if the wrong lens is on or if you're shooting in the wrong direction but this [performance capture] doesn't miss a thing. So, you might do something that's genius - very rarely, admittedly - but it doesn't miss it.
There is something about silence and being in the middle of nowhere that is really very attractive.
Well, you create your own persona, don't you? And you have to live with that. But the people that I meet, they don't think that I'm a lunatic. And if they do, then that's OK, because it means that I'm playing the parts all right.