Regina Spektor

Regina Spektor
Regina Ilyinichna Spektor is an American singer-songwriter and pianist. She was born in the Soviet Union where she began classical training on the piano at the age of 6. When she was 9 years old, her family emigrated to the United States where she continued her classical training into her teenage years; she began to write original songs shortly thereafter...
NationalityRussian
ProfessionFolk Singer
Date of Birth18 February 1980
CityMoscow, Russia
CountryRussian Federation
So break me to small parts, let go in small doses, but spare some for spare parts.
This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again
Even if you're an observer of a story that you yourself made up, you're still very much connected to it. You love it and feel it, no less than somebody's who's writing from their direct 'I' or 'me.' I'm just so much more interesting in stories than confessions.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
I think it's ridiculous that we even have to talk about gay rights as rights...It's gonna be as shocking as the treatment of slaves someday.
You are my sweetest downfall.
I have my own tastes and I have my my own... like, I dunno. I think it's really subjective; something that I think is a great song, is unlistenable to somebody else, which I've come to realise.
It's a privilege to work with an artist that you really care for.
I don't really make records chronologically.
You're part of the human fabric of experience. You don't have to have cancer to write about cancer. You don't have to have somebody close to you die to understand what death is. Definitely, the more you live, the more experiences fall into your spectrum. As a writer, you must have been told: Write about what you know. But Kafka didn't. Gogol didn't. Did Shakespeare write only what he knew? Our own selves are limitless. And our capacity for empathy is giant.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
Maybe I am skipping over the city and going from very personal things to the world, from internal experience to giant, far-away-from-space experience.
We’re trying to be faithful but we’re cheating, cheating, cheating