Rhys Ifans
Rhys Ifans
Rhys Ifans is a Welsh actor and musician. He is known for his portrayal of characters such as Spike in Notting Hill, Jed Parry in Enduring Love and Eyeball Paul in Kevin & Perry Go Large. He is also known as a member of the rock groups Super Furry Animals and The Peth. Ifans also appeared as Xenophilius Lovegood in Harry Potter and the Deathly Hallows – Part 1, and as Dr. Curt Connors/The Lizard in The Amazing Spider-Man. He...
NationalityWelsh
ProfessionMovie Actor
Date of Birth22 July 1967
CityHaverfordwest, England
If it is not scary, it is not worth doing.
It is joyous for any actor to enter other grounds of consciousness and thought. At the end of the day, we just all like dressing up and playing around.
I've been to unpretty places with the roles I've played, and I'm attracted to reckless abandon. I like being taken to the edge of my own abyss.
Whoever wrote Shakespeare is a working class hero be he an aristocrat or a peasant. Shakespeare is a great leveler. We're presented with kings, queens, emperors and giants who feel the same things as everyone else: jealousy, love, anger, bitterness, grief, loss.
I freely admit that I am a bit of a misfit.
If I'd been a rock star, I'd probably now be dead.
But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed].
My work is my way of expressing myself without being arrested.
Don't be late. Learn your lines. Be good to people. Treat people nice.
The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think.
In Wales, singing and storytelling are party skills, not professions.
Whenever you're doing film for television and you look at the budget that you have, which is much more constricted than a movie budget, you think, "God, are they going to be able to do what they say they are?"
You know you are in a good film when it affects the audience.
We're in an age of enlightenment, and we have a choice as a society which path to take.