Robert Barry
Robert Barry
Robert Barryis an American artist. Since 1967, Barry has produced non-material works of art, installations, and performance art using a variety of otherwise invisible media. In 1968, Robert Barry is quoted as saying "Nothing seems to me the most potent thing in the world."...
ProfessionPerformance Artist
Date of Birth9 March 1936
teacher jobs fall
Teaching I realized took up a lot of my time. I was a kind of a teacher that spent time with students, spoke to them after class, tried to help them out. I'd talk with them personally about their work and try to get out of them what they were thinking about, forcing them to thinking seriously and not just falling back on all the ideas that they had picked up someplace. And so I took my job teaching very seriously and that - as a result, it took up a lot of time.
past drawing want
And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s; certain little paintings from the '60s that I keep.
competition lost has-beens
I have been in competitions for commissions. I've won most and lost some. Mostly, I've won.
curator dealer
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
kind language realms
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
space light giving
If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
successful people trying
I just try things and whether people like it or if I find it successful or not, I just do it.
thinking people style
And when you are operating within your style, which is your world, which you operate in, then it also would make sense to you. Now, whether it makes sense to anybody outside is besides the point really. You just do it and then you find that other people kind of begin to relate to it and allow themselves to get into your way of thinking about things.
style wanted
I wanted my style to be very recognizable.
wall thinking color
I think words speak to us even though they may be written on a wall. So we hear them in our mind. We say it to ourselves. But they are also visual things. You draw them. They are designed. They are colored. They have a certain size. I put them in a certain place. So they are objects that have to be - artistic decisions have to be made in terms of the color and the size and the line and whatever.
thinking mind looks
I think you say the word in your mind anyway, you know. When you look at a word, you say it.
trying bigs big-things
The big thing is I try not to repeat.
roots drawing tree
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
interesting people guy
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.