Robert Gottlieb
Robert Gottlieb
Robert Adams Gottliebis an American writer and editor. From 1987 to 1992 he was the editor of The New Yorker...
NationalityAmerican
ProfessionWriter
Date of Birth29 April 1931
CountryUnited States of America
There is no consolation for anyone in the Scott Peterson story, and no final illumination.
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What I love about Paul's work is the combination of the endless invention with a strong dramatic imagination.
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I hated Matthew Bourne's 'Swan Lake' when it first turned up, and then when it was televised, and then when it returned.
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I first read 'An American Tragedy' in college, and in my entire life I had never read anything so painful.
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I don't have lunches, dinners, go to plays or movies. I don't meditate, escalate, deviate or have affairs. So I have plenty of time.
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Gold is on 24-year highs because of a recent shift in investment allocations to commodities by a wide audience.
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Has there ever been a dance career with more ups and downs than Twyla Tharp's? Or with more varied ambitions? Or larger ambition?
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I can't remember how many years it's been since I last saw a David Parsons program or what I saw whenever it was, but that isn't surprising, since I can't really remember the first half of a David Parsons program while I'm watching the second half.
I can almost always read a new manuscript overnight.
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You may feel that Peter Martins' 'Beauty' is too compressed and inexpressive, but it's loyal to the text.
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With literary fiction, generally a film maker falls in love with a book. In commercial fiction, it's a producer or studio falling in love with a book they can make into a movie with worldwide appeal.
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We see a new generation of Russian authors who are not divided from their Western contemporaries either culturally or philosophically.
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You have to surrender to a book. If you do, when something in it seems to be going askew, you are wounded. The more you have surrendered to a book, the more jarring its errors appear.
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Every great dance company, even when it seems poised in perfect balance, needs constant renewal of both repertory and performers.