Robert Graves
Robert Graves
Robert von Ranke Graves was an English poet, novelist, critic and classicist. During his long life he produced more than 140 works. Graves's poems—together with his translations and innovative analysis and interpretations of the Greek myths; his memoir of his early life, including his role in the First World War, Good-Bye to All That; and his speculative study of poetic inspiration, The White Goddess—have never been out of print...
NationalityIrish
ProfessionPoet
Date of Birth24 July 1895
CountryIreland
Faults in English prose derive not so much from lack of knowledge, intelligence or art as from lack of thought, patience or goodwill.
About this business of being a gentleman: I paid so heavily for the fourteen years of my gentleman's education that I feel entitled, now and then, to get some sort of return.
Take your delight in momentariness, Walk between dark and dark a shining space With the grave 's narrowness, though not its peace.
Anthropologists are a connecting link between poets and scientists; though their field-work among primitive peoples has often made them forget the language of science.
I revise the manuscript till I can't read it any longer, then I get somebody to type it. Then I revise the typing. Then it's retyped again. Then there's a third typing, which is the final one. Nothing should then remain that offends the eye.
If I were a young man With my bones full of marrow, Oh, if I were a bold young man Straight as an arrow, I'd store up no virtue For Heaven's distant plain, I'd live at ease as I did please And sin once again.
Kaisers and Czars will strut the stage Once more with pomp and greed and rage; Courtly ministers will stop At home and fight to the last drop; By the million men will die In some new horrible agony...
I made no more protests. What was the use of struggling against fate
I do not love the Sabbath, The soapsuds and the starch, The troops of solemn people Who to Salvation march. I take my book, I take my stick On the Sabbath day, In woody nooks and valleys I hide myself away. To ponder there in quiet God's Universal Plan, Resolved that church and Sabbath Were never made for man.
Poetry is no more a narcotic than a stimulant; it is a universal bittersweet mixture for all possible household emergencies and its action varies accordingly as it is taken in a wineglass or a tablespoon, inhaled, gargled or rubbed on the chest by hard fingers covered with rings.
Hate is a fear, and fear is rot That cankers root and fruit alike, Fight cleanly then, hate not, fear not, Strike with no madness when you strike.
But give thanks, at least, that you still have Frost's poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!
Hardly one soldier in a hundred was inspired by religious feeling of even the crudest kind. It would have been difficult to remain religious in the trenches even if one had survived the irreligion of the training battalion at home.
Mythology is the study of whatever religious or heroic legends are so foreign to a student's experience that he cannot believe them to be true. . . . Myth has two main functions. The first is to answer the sort of awkward questions that children ask, such as: 'Who made the world? How will it end? Who was the first man? Where do souls go after death?'. . . . The second function of myth is to justify an existing social system and account for traditional rites and customs.