Robert Hughes
Robert Hughes
Most remembered for a bestselling Australian historical study titled The Fatal Shore, he also worked as a Time magazine art critic and hosted an art-themed television program called The Shock of the New.
NationalityAustralian
ProfessionNovelist
Date of Birth28 July 1938
CountryAustralia
art interesting cooking
It is an oldish question, but not perhaps a very interesting one, whether cooking is an art or not.
art teaching inspiration
Far from affording artists continuous inspiration, mass-media sources for art have become a dead end. They have combined with the abstractness of institutional art teaching to produce a fine-arts culture given over to information and not experience. This faithfully echoes the drain of concreteness from modern existence- the reign of mere unassimilated data instead of events that gain meaning by being absorbed into the fabric of imaginative life.
sports football sea
Fishing largely consists of not catching fish; failure is as much a part of the sport as knee injuries are of football.
strong ego mind
The desire to be primitive was very much a function of fin-de-siècle imperialism; it appealed to strong egos and domineering minds.
america nostalgia
In America, nostalgia for things is apt to set in before they go.
portraits trout rubens
A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion.
brother reality years
At 40 years of age, I thought I knew everything. I got a reality check with this class. Kenny (Winston) has become like a big brother to me. We've learned to agree to disagree. I hope and pray that this program continues and we all keep in touch. I'm a st
eye views perspective
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
travel cathedrals dedicated
It was a secular cathedral, dedicated to the rites of travel.
art jobs wall
The new job of art is to sit on the wall and get more expensive.
horse moving past
For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.
mean doe existence
But the existence of a cult does not mean that images appropriate to it automatically follow.
art war forever
In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable.
art book loss
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.