Rod Serling
Rod Serling
Rodman Edward "Rod" Serlingwas an American screenwriter, playwright, television producer, and narrator known for his live television dramas of the 1950s and his science-fiction anthology TV series, The Twilight Zone. Serling was active in politics, both on and off the screen, and helped form television industry standards. He was known as the "angry young man" of Hollywood, clashing with television executives and sponsors over a wide range of issues including censorship, racism, and war...
NationalityAmerican
ProfessionDirector
Date of Birth25 December 1924
CitySyracuse, NY
CountryUnited States of America
There's a marvelous and unique man named Frank Gilroy. He's the only writer I know who absolutely, pointedly refuses to do any changes that he doesn't feel are absolutely essential and totally in keeping with his own view and perspective. But not too many writers are that independent and that strong-willed.
I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.
Infinitely more taboos, on television.
I'd love to be able to write an in-depth piece of what causes men like [Richard] Nixon and [H.R.]Haldeman and [John] Ehrlichman and all the rest of them not only to run, but what causes us to vote for them.
Over the long haul I'd say that most directors I've worked with have been pretty sensitive to the quality of the interpreted scenes.
You could do much more in movies than you could on TV, and even movies were heavily censored. But in television, the areas of timorousness were fairly laid out. Race relations. Sex. Politics. There was a whole conglomeration of taboo themes. And even to date, though television has become a much freer medium, it's still far less free, far less creatively untrammeled than are the movies. They're infinitely more adult in that respect.
Justice can span years. Retribution is not subject to a calendar.
I would guess that Ray Bradbury would be equally resentful of what they did with Illustrated Man, which, you know, took a central idea thesis of his and pissed all over it - made it into one of the worst movies ever made.
I don't have close relationships with agents. They're friends, but they're not confidants.
The good agent probably is not the reader, he's just the guy who can put together a deal.
If you write beautifully, you write beautifully, that's all.
Emmies, for example, most of that's bullshit. Oscars are even worse. We have a strange, terrible affliction in this town. Everybody walks around bent-backed from slapping each other on the backs so much. It looks like arthritis but it isn't. It's hunger for recognition. And it's sort of like, well, I'll scratch you this time if you'll scratch me next time. That kind of thing.
I think the essence of the argument has always been, first of all, the Guild doesn't want writing on spec. And that's been a major problem over the years. But obviously, to the young writer that's unfair and it's discriminatory, and it can be very hurtful to one's career.
Seeing does not always believe.