Rod Serling
Rod Serling
Rodman Edward "Rod" Serlingwas an American screenwriter, playwright, television producer, and narrator known for his live television dramas of the 1950s and his science-fiction anthology TV series, The Twilight Zone. Serling was active in politics, both on and off the screen, and helped form television industry standards. He was known as the "angry young man" of Hollywood, clashing with television executives and sponsors over a wide range of issues including censorship, racism, and war...
NationalityAmerican
ProfessionDirector
Date of Birth25 December 1924
CitySyracuse, NY
CountryUnited States of America
There are weapons that are simply thoughts. For the record, prejudices can kill and suspicion can destroy.
Somehow, some way, incredibly enough, good writing ultimately gets recognized. If you're a really good writer and deserve that honored position, then by God, you'll write, and you'll be read.
There are a lot I'm proud of, and a lot I wish the hell I'd never written.
Fantasy is the impossible made probable. Science Fiction is the improbable made possible.
I don't enjoy any of the process of writing. I enjoy it when it goes on if it zings and it has great warmth and import and it's successful.
The writer's no different. When he's rejected, that paper is rejected, in a sense, a sizeable fragment of the writer is rejected as well. It's a piece of himself that's being turned down.
I think the destiny of all men is not to sit in the rubble of their own making but to reach out for an ultimate perfection which is to be had. At the moment, it is a dream. But as of the moment we clasp hands with our neighbor, we build the first span to bridge the gap between the young and the old. At this hour, it’s a wish. But we have it within our power to make it a reality. If you want to prove that God is not dead, first prove that man is alive.
All the Dachaus must remain standing. The Dachaus, the Belsens, the Buchenwalds, the Auschwitzes -all of them. They must remain standing because they are a monument to a moment in time when some men decided to turn the earth into a graveyard, into it they shoveled all of their reason, their logic, their knowledge, but worst of all their conscience. And the moment we forget this, the moment we cease to be haunted by its rememberance. Then we become the grave diggers.
If you have the temerity to try to dramatize a theme that involves any particular social controversy currently extant. . . then you're in deep trouble.
a basic “must” for every writer: A simple solitude-physical & mental.
According to the Bible, God created the heavens and the Earth. It is man’s prerogative - and woman’s - to create their own particular and private hell.
The writer's role is to menace the public's conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.
In eleven or twelve years of writing, Mike, I can lay claim to at least this: I have never written beneath myself. I have never written anything that I didn't want my name attached to. I have probed deeper in some scripts and I've been more successful in some than others. But all of them that have been on, you know, I'll take my lick. They're mine and that's the way I wanted them.
But it makes you wonder, doesn't it? Just how normal are we? Just who are the people we nod our hellos to as we pass on the street? A rather good question to ask - particularly in The Twilight Zone.