Rod Steiger
Rod Steiger
Rodney Stephen "Rod" Steigerwas an American actor, noted for his portrayal of offbeat, often volatile and crazed characters. Cited as "one of Hollywood's most charismatic and dynamic stars", he is closely associated with the art of method acting, embodying the characters he played, which at times led to clashes with directors and co-stars. He starred as Marlon Brando's mobster brother Charlie in On the Waterfront, the title character Sol Nazerman in The Pawnbroker, and as police chief Bill Gillespie opposite...
NationalityAmerican
ProfessionMovie Actor
Date of Birth14 April 1925
CityWesthampton, NY
CountryUnited States of America
You must be a man of incredible intellect and intense instincts. I can see that by your lauding and praises. You have to be brilliant.
I suppose because an actor's always scared to death that he's not going to do the part well that I didn't think of anything else.
If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?
'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties.
Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!
I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody.
I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.
I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.
The most important thing is to be whatever you are without shame.
Film acting would be about 80 percent better than it has been lately if actors did their homework, if they didn't have egos that took the size of their talent for granted.
Complacency in the presence of miracles is like opening the door to your own tomb.
Communication without a purpose is artistic masturbation.
That's all religion is -- some principle you believe in . . . man has accomplished far more miracles than the God he invented. What a tragedy it is to invent a God and then suffer to keep him King.
Respecting differences is very difficult.