Roland Barthes
Roland Barthes
Roland Gérard Bartheswas a French literary theorist, philosopher, linguist, critic, and semiotician. Barthes' ideas explored a diverse range of fields and he influenced the development of schools of theory including structuralism, semiotics, social theory, design theory, anthropology and post-structuralism...
NationalityFrench
ProfessionPhilosopher
Date of Birth12 November 1915
CountryFrance
aware begin change create moment
Very often (too often in my view) I was aware of being photographed. So, from the moment I feel I am in the camera's eye, everything changes: I begin to pose, I immediately create a different body, I change even before the image.
bewildered comic journal keeper tragic
What the Journal posits is not the tragic question, the Madman's question: "Who am I?", but the comic question, the Bewildered Man's question: "Am I?" A comic --a comedian, that's what the Journal keeper is.
ethical-questions our-world desire
One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes ... Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.
lasts
Why is it better to last than to burn?
photography order notable
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
dream men expression
Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.
photography thinking pensive
Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
description
A picture is never anything but its own plural description.
knowledge world mythology
Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
portraits photographer
Great portrait photographers are great mythologists.
photography art past
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
photography class two
The Photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both: the windowpane and the landscape, and why not: Good and Evil, desire and its object: dualities we can conceive but not perceive... Whatever it grants to vision and whatever its manner, a photograph is always invisible: it is not it that we see.
photography social-values age
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
exploration appropriation
Every exploration is an appropriation.