Romola Garai
![Romola Garai](/assets/img/authors/romola-garai.jpg)
Romola Garai
Romola Sadie Garaiis an English actress, writer, director. She is known for appearing in the films Amazing Grace, Atonement, and Glorious 39, and in BBC series such as Emma, The Hour and The Crimson Petal and the White. She has been nominated twice for a Golden Globe Award and is BAFTA nominated...
NationalityEnglish
ProfessionMovie Actress
Date of Birth6 August 1982
CityHong Kong, China
europe conservatism stagnant
Postwar Europe was morally stagnant, and there was a lot of neo-conservatism.
horse children garden
My alter egos have changed a lot over the years. When I was a child, I was a black horse called Storm. Whinnying and jumping over bamboo poles in the garden took up pretty much my entire childhood.
niche film concern
Films about women and their concerns are seen as frivolous, limited and, most damaging of all, niche.
successful annoyed theatre
I get grumpy about the innate conservatism of our tastes; I love bold theatre, and I get annoyed when a heritage piece is really successful.
wish way adventurous
I wish I was a more adventurous person in a way. But actually, security is a really big deal for me.
sexy thinking people
I want people to think I'm sexy, but to know also that I've got an ordinary body and not feel intimidated.
drama thinking play
I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.
war men thinking
I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
unified
Normally, when you're working on something, there are other characters that you have alliances with, and you have unified goals with some characters.
fact films numerous scripts terms written
I've always scribbled, and I still do it. I've written numerous scripts for films for which I think I'd be perfect as the complex, intelligent and, yes, modern heroine. Embarrassingly bad, all of them. I've had to come to terms with the fact that I'm not a writer.
career crazy future obsessed people
I try not to live in the future too much; that can make you crazy as an actor. There are so many people who are obsessed about their career path, like it's something which you can control, which fundamentally you can't.
behind desk lives report situations somebody versus whether
There are still journalists who risk their lives in situations of conflict, versus those who sit behind a desk at 'News of the World' to report on whether someone is going out with somebody or not.
bit costume few huge impact people sort time wearing
I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.
courage drawn enjoy heroines human life lived naturally people successes
I am always naturally drawn to heroines that have human flaws because I enjoy people that have lived their life with courage and make big successes and big failures.