Said Sayrafiezadeh
Said Sayrafiezadeh
Saïd Sayrafiezadeh is an American memoirist and fiction writer living in New York City. He won a 2010 Whiting Award for his memoir, When Skateboards Will Be Free. His short-story collection, Brief Encounters With the Enemy, was short-listed for the 2014 PEN/Robert W. Bingham Prize for debut fiction. He serves on the board of directors for the New York Foundation for the Arts...
NationalityAmerican
ProfessionPlaywright
CountryUnited States of America
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More people work at Walmart than anywhere else in the United States, but you wouldn't know that from our literature. I'm trying to get at the reality of this country by portraying the lives of many of my friends who I left behind in Pittsburgh.
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Other families who are poor do what they can to get out of it. My mother did not. She did not utilise her resources. She had a degree. There was something she could have done, but she actively, purposely refused that so we could have this absolutely authentic experience of the worst of capitalism: 'See? Look how bad capitalism is.'
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Stasis is something that has marked my life since I was a boy growing up in Pittsburgh with my mother. It was the natural state that we existed in. For one thing, she suffered from a debilitating depression throughout my childhood, and depression is nothing if not static.
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The year the bus drivers went on strike in Pittsburgh, I was twenty-three and living on the edge of the city in a neighborhood that was on the verge of becoming a ghetto. I had just been fired from a good job as a cartographer in a design studio where I had worked for about four months.
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There was something so immensely redemptive and exciting for me to imagine that my unknown father was not just a man who had abandoned me but a noble man of adventure who had no choice.
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I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.
work
I work in the most non-Communist job. I work for 'Martha Stewart Living.'
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My characters are not underachievers; they aspire to great things, but they are limited by the world around them.
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My childhood was defined by my father's absence. His presence looms so large. Up until the age of 18, he was a superstar for me.
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In many ways I'm similar to Barack Obama, who also has a strange name but was raised by a white American mother. His background is far more complicated than his name would suggest. Furthermore, the fact that I was a child during the hostage crisis has caused me to equate being Iranian with being alienated.
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
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I was trying to hold up a mirror to this country, to reflect the past years or so, and the varying degrees in which we've been affected by the war(s) that doesn't seem to end. And we've all been affected somehow, even if we have no connection to the military, even if we don't know anyone who's killed or been killed. No one escapes something so large.
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I don't feel any ethical dilemma when I write. In my memoir, I was able to write with candor about the two most difficult people in the world to write with candor about - mom and dad. Everything else is downhill from there.
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An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.