Sanjeev Bhaskar

Sanjeev Bhaskar
Sanjeev Bhaskar, OBEis a British comedian, actor and broadcaster, best known for his work in the BBC Two comedy series Goodness Gracious Me and as host of The Kumars at No. 42. He also presented and starred in a documentary series called India with Sanjeev Bhaskar in which he travelled to India and visited his ancestral home in today's Pakistan. Bhaskar's acting roles include the lead role of Dr. Prem Sharma in The Indian Doctor and a main role as...
NationalityBritish
ProfessionComedian
Date of Birth27 June 1961
bored came early english fact india mother quickly reading taught teacher teachers
My mother had been an English teacher in India before she came to the U.K., and she taught me to read early on - not only in English, but in Hindi, too. My teachers didn't like the fact that I was reading more quickly than they were teaching, and as a consequence, I would sometimes get bored in class.
half mentioned says word
My mother says I was two and a half when I first mentioned I wanted to be an actor. My father said, 'The word is pronounced 'Doctor!'
benefits business late realised starting wrote
One of the benefits for me of starting late in this business is I realised that if acting was the only thing I could do, I would struggle, so I always wrote as well.
although arthur asians casting proved quite trading
Casting me as King Arthur was quite bold of 'Spamalot's producers, although it has been historically proved Arthur was Asian, and that Sunday trading started with Asians in 11th-century Britain.
family member pakistan
I was the first member of my family to cross into Pakistan and find his ancestral village.
people theatre television
Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn't more representation.
years worst-moments racism
The worst moment in my life was when I was seven years old and I discovered that there was a thing such as racism. You don't know you're different until someone lets you know.
parent culture beef
There are occasions when I've had beef, but I generally tend to avoid it, as a nod towards my parents' culture.
gloves down-and remember
During an early performance of 'Spamalot,' I left my regal gloves in the fridge to cool down and didn't remember them until I was on stage. They needed to be thawed overnight.
cutting exercise keys
Good diet and exercise are key, but abject fear has its own rewards. And arriving on the first day for rehearsals for 'Spamalot' and seeing all these much younger, much fitter people, who I was going to be on stage with, became a catalyst for cutting out the more unhealthy aspects of my life.
summer paper milk
I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.
thinking laughing giving
I think family, friends and a sense of community give you greater happiness than money. But, of course, one has to have a minimum on which to live. The joy I get from sitting around and having a laugh is immeasurable - much greater than anything that I have ever bought.
vocabulary way stage
I'm sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else - so the one thing that set me back was being Indian. And I couldn't do anything about it.
people feelings looks
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.