Simon McBurney
![Simon McBurney](/assets/img/authors/simon-mcburney.jpg)
Simon McBurney
Simon Montagu McBurney, OBE is an English actor, writer and director. He is the founder and artistic director of the Théâtre de Complicité, London. He has had roles in the films The Manchurian Candidate, Friends with Money, The Golden Compass, The Duchess, Robin Hood, Harry Potter and the Deathly Hallows: Part 1, Tinker Tailor Soldier Spy, Magic in the Moonlight, The Theory of Everything and Mission: Impossible – Rogue Nation...
NationalityEnglish
ProfessionActor
Date of Birth25 August 1957
against closer drawings drew egyptian remote saw walls wear
We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.
arthur artistic deeply embedded met psyche
When I met Miller, for me it wasn't a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.
art cave closed discovery earliest haunted inside known projected quite since site
Haunted since the day its discovery was projected all over the world in 1994, I, like many others, have always wanted to see inside the Chauvet cave, site of the world's earliest known cave art. Quite rightly, we will never go. It is closed to the public.
adored against classical loved music reaction
My parents loved classical music. And my father adored Mozart. But for some reason, I always had a reaction against it.
lives quite sequence
Our lives are a sequence of things. When we're alive, they're continuing, just as my words now are an improvisation. So the idea of 30 years is actually quite nebulous. It's impossible to encapsulate it. All you can do is go: 'what next?'
britain call french interested mean people says visual
In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here.
generally refuse work worried
My work is not generally in the commercial sector. However, I'm not worried by the commercial sector. I refuse to work in any other way except the way that I work.
attending expressed expresses magic music
My proposition is that music is at the heart of what 'The Magic Flute' means: that it's Mozart's music, not the words, we should be attending to. Music expresses what can't be expressed otherwise.
delicious delivered fact imagination milk seem
I remember the fact that milk was delivered every day by a milkman. In summer, my mother would make what now seem in my middle-aged imagination the most delicious iced milkshakes.
touch
Mozart's seeming frothiness is just a light touch with very profound material. That's what I've found working on 'The Magic Flute.'
brief describe exists human provides
Infinity is a way to describe the incomprehensible to the human mind. In a way, it notates a mystery. That kind of mystery exists in relationships. A lifetime is not enough to know someone else. It provides a brief glimpse.
stays
Any play that's making a point is less interesting than something that stays with you and suggests something further.
extension forgotten love natural seemed
As a child, acting just seemed like a natural extension of my love of play - and if you've forgotten how to play, you shouldn't be an actor.
streets
I feel that if you can play on the streets or in a comedy club, then in a theatre it's a doddle because you've got an audience.