Spike Jonze
![Spike Jonze](/assets/img/authors/spike-jonze.jpg)
Spike Jonze
Spike Jonzeis an American director, producer, screenwriter and actor, whose work includes music videos, commercials, film and television. He started his feature film directing career with Being John Malkovichand Adaptation, both written by Charlie Kaufman, and then started movies with screenplays of his own with Where the Wild Things Areand Her...
NationalityAmerican
ProfessionDirector
Date of Birth22 October 1969
CityRockville, MD
CountryUnited States of America
Arcade Fire has such intimacy and epic-ness, at the same time, and that's really inspiring.
I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's about childhood.
I skated and rode bikes on ramps, and my mom was always super supportive. She was one of the only divorced moms in the neighborhood, so all the other parents looked down upon her for letting her kids do that kind of thing.
The thing I remember most about having a tantrum is not the rage during the tantrum, but the being freaked out afterwards, and embarrassed, and guilty. It's scary to lose control of yourself.
Emotions are messy and hard to figure out. Hard to know where you start and the next person stops. Even as an adult, that's a hard thing to know. As a kid, it can be really confusing, because it's all new and you're trying to sort of make your map.
I think the way Win Butler writes, I really identify with it. He writes very emotionally and very cinematically, and I just connect with his sensibility.
There were times in 'Adaptation' during the editing where I really thought, 'Okay, well, this was a noble failure. I tried to do something good, but this is not going to work.'
I've got to say, I've probably seen a lot more of the Three Stooges than of the Marx Brothers.
On set, there's a lot of pressure. But it sort of heightens the moments.
I started directing videos at the same time that Michel Gondry was starting to direct videos, and I watched what he'd do. They all seemed to be pushing some new visual effects idea, but never just for spectacle. They all captured a feeling.
I never knew how to do anything before I did it, really.
If you focus your energy on the camera, it takes away from the time you have to focus on the performances.
I like people that define their own values. I am much more interested in somebody who has their own definition of what they value, their own definition of what success is, their own definition of what love is.
The market groups and demographics said, 'Teenage guys don't read magazines.'