Stan Lee
Stan Lee
Stan Leeis a comic-book writer, editor, publisher, media producer, television host, actor and former president and chairman of Marvel Comics. In collaboration with several artists, including Jack Kirby and Steve Ditko, he created Spider-Man, the Hulk, the Fantastic Four, Iron Man, Thor, the X-Men, and many other fictional characters, introducing a thoroughly shared universe into superhero comic books. In addition, he headed the first major successful challenge to the industry's censorship organization, the Comics Code Authority, and forced it to...
NationalityAmerican
ProfessionComic Book Author
Date of Birth28 December 1922
CityNew York City, NY
CountryUnited States of America
Life is never completely without its challenges.
Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me--I swear--"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
I think people have always loved things that are bigger than life, things that are imaginative.
Negative information is that which, immediately upon acquiring, causes the recipient to know less than he did before.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
I know the world expects me to have superpowers, and it'll be quite a disappointment. But I just play myself.
The public always loves anything that's different, as long as it's well-made, if it's well-done. You never know what to expect when you go to one of these so-called superhero movies.
I think there's the element of the excitement of what I'm going to see, and with the special effects where you see men flying and walking through walls and shooting flame or whatever they do, especially the younger audiences, which make up a bulk of the moviegoers, they love that sort of thing.
If you have superheroes or characters that exist in the same world, and you're doing movies of them, wouldn't it be fun to put a couple of them together in one movie? Audiences love that. It's a natural thing to do that.
I am so impressed with people who can really make a big movie, a good movie. The amount of work that goes into it is incredible.
I'm lucky. I don't have to produce the whole movie. What I've been doing is just coming up with ideas for movies. I write a concept, a treatment, an outline, and if I sell that to a studio, then someone else does the actual production and I go on to another project, although I keep the title executive producer.
I have to force myself to get angry. But I want to show the world that there's another side to me, that I am capable of deep, deep anger and fury. They better watch out for how I'm treated.
I think comics will always be around. I think there's something nice about a comic book. People love to hold 'em, turn the pages, fold 'em up, roll 'em up, stick 'em in their back pocket, show 'em to a friend, and say, "Hey, look at this."