Stephen Merchant
![Stephen Merchant](/assets/img/authors/stephen-merchant.jpg)
Stephen Merchant
Stephen James Merchantis an English writer, director, radio presenter, comedian, and actor. He is best known for his collaborations with Ricky Gervais and Karl Pilkington, as the co-writer and co-director of the popular British sitcom The Office; co-writer and co-star of Extras; and co-host of The Ricky Gervais Show in its radio, podcast, audiobook, and television show forms. The Ricky Gervais Show in radio form won a bronze Sony Award...
NationalityEnglish
ProfessionComedian
Date of Birth24 November 1974
CityHanham, England
We were trying to follow up The Office,
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
I know that this sounds grand, but I don't try to compete with other people. I like to think there's enough pie for everyone. The kind of people I'm competing with are my heroes - Woody Allen, Billy Wilder - who I know I'm going to fall short of.
Generally, I'm terrified of shopping. I like the idea of being well-dressed, but I've always struggled to get anything that fits. I envy those that go into old vintage shops.
There's this way pop culture has been rammed down our throats that people think that if they were just in the right place at the right time, they'd be married to Heidi Klum.
John Cleese was a big hero of mine. He grew up in Weston Super Mare near Bristol where I grew up; he was always very tall and gangly, but he was smart and used his physicality in a very funny way. I used to think, 'Well he came from Weston and he did it, so there's a chance for me.'
I'm always jealous of Johnny Depp's sense of style, but if I tried to get away with a floppy hat and waistcoat, I'd look like a homeless person.
I guess as you get older you sort of see the mechanics, even with the best comedians. There's admiration for people I admire, but it's not guttural laughter. It's a wry 'Oh, well done, sir.' But I sort of miss that slightly; I miss the raw joy of comedy I used to get.
Once I began doing stand-up, I didn't get a kick out of the applause or being the centre of attention - but I did get a kick out of the jigsaw puzzle aspect of it, searching for the right bit, adding another few pieces each night until the bigger picture appears. That's the appeal: the challenge of it.
We didn't want to have this kind of hermetically sealed world. We want to have different people coming in and interacting each week.
I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.
When I started to mention to people who know about such things, 'I'm doing this game, 'Portal 2', they got very excited, suddenly. More excited than anything I've ever done before, weirdly. Gamers are incredibly enthusiastic about the stuff they love.
The reason I keep talking about a wife and saying the word 'wife' on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
You hear some people saying, 'I'm alive on stage; it's where I feel most complete...' I don't understand that at all; I find that weird and depressing. I don't dislike the audience; it's just when I'm up there, they're in the darkness. There's just a sound of laughing or not. They're not 'people,' they're this big organism.