Steve Martin

Steve Martin
Stephen Glenn "Steve" Martinis an American actor, comedian, writer, producer and musician. Martin came to public notice in the 1960s as a writer for the Smothers Brothers Comedy Hour, and later as a frequent guest on The Tonight Show. In the 1970s, Martin performed his offbeat, absurdist comedy routines before packed houses on national tours. Since the 1980s, having branched away from stand-up comedy, Martin has become a successful actor, as well as an author, playwright, pianist and banjo player,...
NationalityAmerican
ProfessionComedian
Date of Birth14 August 1945
CountryUnited States of America
The environment changed with Martha Stewart and Enron.
I never touched a gun in my life. That and that alone forever doomed me to middle management.
You can't really conduct your life by one or two phrases.
There are some people that will not pick up a phone and call you, but if you knock on a door and talk to them, they'll talk back to you.
Comedians don`t get Oscars, so I gave up on that a long time ago. And I can`t really speak about the Oscar-worthiness of my own performance.
When you're reaching for a star, there's a long way to fall.
To have someone play off and be with a band is more pleasurable.
Always do business as if the person you're doing business with is trying to screw you, because he probably is. And if he's not, you can be pleasantly surprised.
It was essential that I never show doubt about what I was doing.
Talent is the ability to say things well, but genius is the ability to, well, say things.
The thing about the banjo," says Martin, "is when you first hear it, it strikes many people as 'What's that?' There's something very compelling about it to certain people.
Communication has changed so rapidly in the last 20 years, it's almost impossible to predict what might occur even in the next decade. E-mail, which now sends data hurtling across vast distances at the speed of light, has replaced primitive forms of communication such as smoke signals, which sent data hurtling across vast distances at the speed of light.
After one of my plays came out, I had mixed reviews, some bad and some good. One day, it dawned on me. I thought, 'I wrote a play and he wrote a review, and that's the difference between him and me.'
I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines.