Sue Monk Kidd
![Sue Monk Kidd](/assets/img/authors/sue-monk-kidd.jpg)
Sue Monk Kidd
Sue Monk Kiddis a writer from the Southern United States, best known for her novel, The Secret Life of Bees...
NationalityAmerican
ProfessionWriter
Date of Birth12 August 1948
CountryUnited States of America
along few huge hung madonna mary morning painting pictures quite study walks writer
Every writer has their rituals. For me, it's morning walks along the beach. And then, in my study I have a huge painting of the Black Madonna hung over my desk, and quite a few pictures of Mary around me for inspiration.
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All I knew about bees when I started to write 'The Secret Life of Bees' was that they can live in a wall of your house, and that they make this incredible thing that I loved.
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I read usually in the morning, in my kitchen at breakfast - a short reading time, usually poetry. I read in bed every night. I usually get in bed pretty early with a book, and I read until I can't prop my eyes open anymore - sometimes rather late.
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I want to believe that while we may sometimes read in the misguided pursuit of preserving our separation, there is a greater impulse inside us that compels us to read in search of the common heart.
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My stories have a deep spiritual core because I have a deep desire to understand things of the spirit, but yet I don't think I've written these stories from any kind of specific religious agenda because I don't think that would work.
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'The Secret Life of Bees' was my first novel, so I had no process. I was flying by the seat of my pants, as they say, trying to understand how I, as a novelist, would work with story.
allow approach browse imagination letting ourselves
We have to learn not to feel guilty about letting our imagination browse around, and you know, in writing fiction particularly. But I think, in any kind of writing, we have to learn to allow ourselves to approach it in a contemplative way.
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I can't explain exactly why it lives within me for so long and passionately. But race matters to me; racial equality matters to me, as does gender. There is something about these kinds of social injustices that go to the deep of me.
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On weekends, I sit in a lounge chair on my balcony. I love to be outside when the weather's right. I can stay there pretty much all day.
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Here is where our real selfhood is rooted, in the divine spark or seed, in the image of God imprinted on the human soul. The True Self is not our creation, but God's. It is the self we are in our depths. It is our capacity for divinity and transcendence.
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Sometimes I was so busy being tuned in to outside ideas, expectations, and demands, I failed to hear the unique music in my soul. I forfeited my ability to listen creatively to my deepest self, to my own God within.
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I want my words to open a portal through which the reader may leave the self, migrate to some other human sky and return 'disposed' to otherness.
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I feel like we need to be aware of the ways we use and misuse religious dogma: whether it takes us deeper into love and inclusion or it separates us.
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Due to the sweeping time frame and the voices moving back and forth, the outline for 'The Invention of Wings' was the strangest one I've ever done. I created six large, separate outlines, one for each part of the book, and hung them around my study.