Ta-Nehisi Coates
Ta-Nehisi Coates
Ta-Nehisi Paul Coates is an American writer, journalist, and educator. Coates is a national correspondent for The Atlantic, where he writes about cultural, social and political issues, particularly as they regard African-Americans. Coates has worked for The Village Voice, Washington City Paper, and Time. He has contributed to The New York Times Magazine, The Washington Post, The Washington Monthly, O, and other publications. In 2008 he published a memoir, The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road...
NationalityAmerican
ProfessionJournalist
Date of Birth30 September 1975
CountryUnited States of America
I do understand how hate eats at the soul and how to purge yourself of hate.
For me, my writing benefits from my experience.
African Americans are one of the oldest ethnic groups in this country. We been here since the beginning. Before the beginning.
We are all losers in comparison to Malala Yousafzai. But we are not all geniuses. Like me.
My dad always associated information with liberation. He was very much in that Malcolm X tradition.
Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
I feel like my job is to look at the world and to report what I see, to write what I see as honestly and directly as I can. I don't want to cut it or make it easy, but be as direct as I can.
I enjoy the challenge of trying to say things beautifully. The message is secondary in that sense. Obviously, I have something that I want to say that's very, very important to me - but the process of actually crafting it is essential.
It was mostly through pop culture, through hip-hop, through Dungeons & Dragons and comic books that I acquired much of my vocabulary.
As an African-American, we stand on the shoulders of people who fought despite not seeing victories in their lifetime or even in their children's lifetime or even in their grandchildren's lifetime. So fatalism isn't really an option.
We look at young black kids with a scowl on their face, walking a certain way down the block with their sweatpants dangling, however, with their hoodies on. And folks think that this is a show of power or a show of force. But I know, because I've been among those kids, it ultimately is fear.
When you write, you're inside the project. You can't really think about the reception. It has to be worth it even if no one reads it.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
What I am telling you is that you do not need to know to love, and it is right that you feel it all in any moment. And it is right that you see it through--that you are amazed, then curious, then belligerent, then heartbroken, then numb. You have the right to all of it.