Ta-Nehisi Coates
![Ta-Nehisi Coates](/assets/img/authors/ta-nehisi-coates.jpg)
Ta-Nehisi Coates
Ta-Nehisi Paul Coates is an American writer, journalist, and educator. Coates is a national correspondent for The Atlantic, where he writes about cultural, social and political issues, particularly as they regard African-Americans. Coates has worked for The Village Voice, Washington City Paper, and Time. He has contributed to The New York Times Magazine, The Washington Post, The Washington Monthly, O, and other publications. In 2008 he published a memoir, The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road...
NationalityAmerican
ProfessionJournalist
Date of Birth30 September 1975
CountryUnited States of America
If I wrote a Jewish superhero, he'd have awesome time-traveling powers. I'd call him Doctorow.
I do understand how hate eats at the soul and how to purge yourself of hate.
For me, my writing benefits from my experience.
African Americans are one of the oldest ethnic groups in this country. We been here since the beginning. Before the beginning.
We are all losers in comparison to Malala Yousafzai. But we are not all geniuses. Like me.
My dad always associated information with liberation. He was very much in that Malcolm X tradition.
The country in which reparations actually happen is a very different one than the one we live in.
When I see the Confederate flag, I see the attempt to raise an empire in slavery. It really, really is that simple. I don't understand how anybody with any sort of education on the Civil War can see anything else.
The plunder of black communities is not a bump along the road, but it is, in fact, the road itself that you can't have in America without enslavement, without Jim Crow, terrorism, everything that came after that.
When people think about reparations, they immediately think about people who've been dead for 100 years.
When you read a comic book, there's a space between what's happening on the panel and what you have to literally see in your mind. That's not true of movies, where you see everything.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
I feel like my job is to look at the world and to report what I see, to write what I see as honestly and directly as I can. I don't want to cut it or make it easy, but be as direct as I can.
I enjoy the challenge of trying to say things beautifully. The message is secondary in that sense. Obviously, I have something that I want to say that's very, very important to me - but the process of actually crafting it is essential.