Teju Cole
Teju Cole
Teju Coleis a Nigerian-American writer, photographer, and art historian...
NationalityNigerian
ProfessionNovelist
Date of Birth27 June 1975
CityKalamazoo, MI
CountryNigeria
too-short score anxious
Life's too short for anxious score-keeping
boston schooled areas
I schooled in the Boston area.
years bullshit moments
It takes a few years to understand what we've lived through. At the moment, we're still sort of mired in the irrelevant bullshit. There isn't yet that public conversation about 9/11.
said mindless
A MOB is not, as is so often said, mindless. A MOB is single-minded.
morning mean emotional
Nigerian-American novelist Teju Cole takes it a step further and slams what he calls the “White Savior Industrial Complex,” which cares little for the end, so long as it gets satisfaction from the means. “The white savior supports brutal policies in the morning, founds charities in the afternoon, and receives awards in the evening,” says Cole. “The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.”
grateful book facts
I'm grateful for the likes of Kundera, Murnane, Markson, Berger, and, in his recent work, Coetzee. But no matter how celebrated they are, critics still consider them askance. Elizabeth Costello, for example, is a great novel, but it got quite a critical panning when it was published. The complaint was that it was simply a book of speeches, without the machinery of conventional fiction. Markson's books are compilations of facts and alleged facts, very artfully.
bus-stops creative energy
The energies of Lagos life- creative, malevolent, ambiguous- converge at the bus stops
writing marketing purpose
For purposes of marketing, writers are designated as poets, novelists, or something else. But writing is about matchmaking, an attempt to marry sensations with apt words.
attention pun draws
Always say no pun intended to draw attention to the intended pun.
couple years modern-novel
At the emergence of the modern novel with Rabelais and Cervantes, all kinds of things were possible in a long-form prose work. Within a couple of hundred years, most of those possibilities were abandoned in favor of a text that efficiently transmitted sentiments.
remember walking
I couldn't remember what life was like before I started walking.
war sight california
The novelist loses, every time. Politics is insidious, the modern conduct of war (from shoulder-launched rockets to drone strikes) is insidious. Someone presses a button in California and twenty people are incinerated at a wedding in Pakistan. The killer is spared the sight of the corpses.
writing long preparation
You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.
beautiful moving writing
Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing.