Terry Teachout
Terry Teachout
Terry Teachoutis an American critic, biographer, librettist, author, playwright, and blogger. He is the drama critic of The Wall Street Journal, the critic-at-large of Commentary, and the author of "Sightings," a column about the arts in America that appears biweekly in the Friday Wall Street Journal. He blogs at About Last Night and has written about the arts for many other magazines and newspapers, including the New York Times and National Review...
NationalityAmerican
ProfessionCritic
Date of Birth6 February 1956
CountryUnited States of America
It may well be, of course, that America's pop culture is on balance better than our high art. I don't think so, but you can certainly make a case that the best of it aspires to a degree of aesthetic and emotional seriousness that is directly comparable to all but the very greatest works of high art.
There's a playwright named S.M. Berryman, Sam Berryman, who wrote these kinds of social comedies. They are actually extremely sharp and still quite provocative.
I know that luck has a way of happening to people who shoot high, who never sell themselves short.
EXTREMELY FUNNY! A SUPER-VIRTUOSO! I expected to enjoy 'The Two and Only,' but I didn't expect to be touched, much less to find my eyes growing moist.
The best of Donald Westlake's pseudonymous thrillers about Parker, the toughest burglar who ever lived. . . .Out of print for years and years, Butcher's Moon is the ultimate Parker novel, best read as an installment in the series as a whole but comprehensible and wholly satisfying on its own.
I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written.
Whether early or late, the Parker novels are all superlative literary entertainments.
This impeccably researched study of the classic black insult game may be the funniest work of serious scholarship ever published.
We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.
(R)eality TV (is) a medium dedicated to the proposition that with the help of judicious editing, carefully chosen half-wits can hold the attention of millions of their fellow half-wits for weeks on end.
I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.
The first play I ever saw - I was in junior high school - was a high school production of Noel Coward's 'Blithe Spirit,' which seemed to me absolutely magical.
All history, and most especially the history of the 20th century, argues against placing ideas in the saddle and allowing them to ride mankind. Too often, they end up riding individual men and women into mass graves.
Ai Weiwei, who is both a widely admired conceptual artist and a fearless human-rights activist, has been on the bad side of the Chinese government for years.