Thomas Pynchon
Thomas Pynchon
Thomas Ruggles Pynchon, Jr.is an American novelist. A MacArthur Fellow, he is noted for his dense and complex novels. His fiction and nonfiction writings encompass a vast array of subject matter, genres and themes, including history, music, science, and mathematics. For Gravity's Rainbow Pynchon won the 1974 U.S. National Book Award for Fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth8 March 1937
CityGlen Cove, NY
CountryUnited States of America
The reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, and sometimes other orifices also.
I was dreaming ... about my grandfather. A very old man, at least as old as I am now, 91. I thought, when I was a boy, that he had been 91 all his life. Now I feel as if I have been 91 all my life.
A woman is only half of something there are usually two sides to.
Despair came over her, as it will when nobody around has any sexual relevance to you.
the one Word that rips apart the day...
She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
Through the machineries of greed, pettiness, and the abuse of power, love occurs.
Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover.
[Oedipa Maas] awoke at last to find herself getting laid.
This spiritualist, this statistician, what are you anyway?
So the city became the material expression of a particular loss of innocence – not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be – its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of injury, unable to summon the face of their violator.
It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.
Some typewriters in Whitehall, in the Pentagon, killed more civilians than our little A4 could have ever hoped to.
Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, Who? Who?