Tim Gunn
Tim Gunn
Timothy MacKenzie "Tim" Gunnis an American fashion consultant, television personality, actor, and voice actor. He served on the faculty of Parsons The New School for Design from 1982 to 2007 and was chair of fashion design at the school from August 2000 to March 2007, after which he joined Liz Claiborne as its chief creative officer. He is well known as on-air mentor to designers on the reality television program Project Runway. Gunn's popularity on Project Runway led to 2...
NationalityAmerican
ProfessionTV Show Host
Date of Birth29 July 1953
CountryUnited States of America
I would never dream of telling people how to dress. but I do say to them, however you are dressing, accept responsibility for it. And also, unless asked, I don't judge. And if asked to judge - I would approach it socratically, I would approach it with questions.
I'm constantly correcting young people and fashion students in this nation when they say "Well, I do couture." By definition, you don't. You have to be licensed by the government of France to do couture. So don't use that term. You can say that you do one-of-a-kind, you can say it's custom, but you can't say it's couture - because it's inaccurate.
I was a teacher and an administrator at Parson's School of Design, and as an administrator, I was associate dean. And in that role, I went around fixing things that were broken. And the Parson's fashion program was broken.So fashion chose me. It needed to be developed and evolve. I don't know if it comes naturally to anyone.
I believe that it's very important to get to know people with whom you can have a substantive dialogue about design and its development. In addition, read everything about fashion that you can get your hands on. A palpable point of view is what makes a designer, so you need to be confident about yours.
I really cherish having my private time and being alone and being able to decompress. It's my own version of meditating.
Frankly, I think that fur on a man is difficult to pull off. If it's the warmth you're after, then I'd go with a fur-lined coat - it won't show.
Being in the moment is everything. So being in the moment for me is just letting the narrative play out, listening to the designers and giving them helpful feedback about what they're doing.
And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.
From my own experience, there are so many people who believe that the individual can change. The individual doesn't have to be LGBT.
I don't believe in the scraping of stuff. Take the existing condition, offer up a diagnosis for what's wrong, and a prescription for making it work.
We can wear whatever we want and get away with it. Just be confident about being who you are and dressing for that person.
The pervasive idea is that if you're a man in the fashion industry, you're gay until proven otherwise. And of course there are lots of men who aren't. But people make certain assumptions.
Staples are only good if they truly suit our lifestyle.
All the magazines contradict each other because it is so diverse. Know what you like, know what looks good on you and keep doing it, no reason to chase trends.