Todd Phillips
![Todd Phillips](/assets/img/authors/todd-phillips.jpg)
Todd Phillips
Todd Phillips, also known as Todd Bunzl, is an American film director, producer, screenwriter and actor. He is best known for writing and directing Bittersweet Motel, Road Trip, Old School, The Hangover Trilogy and Due Date. He also produced the 2012 black comedy film Project X...
NationalityAmerican
ProfessionDirector
Date of Birth20 December 1970
CityNew York City, NY
CountryUnited States of America
filmmaker four hours looks spent time
I think any filmmaker looks back and thinks, 'Boy, if we only had four hours more on that day when the sun was going down,' or, 'If we only spent more time and went back.'
foremost interact love scripts studios surprising
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
conscious
My movies before tend to be just funny. But it wasn't a conscious thing I was looking for at all.
ape crowd feeling knew maybe
I knew that it was special. That feeling was in the air, maybe it was just in our heads. From the first song, the crowd just went ape shit.
advantage basket drive guard hard knew second straight took
In the second half, we knew we had to come out and take better shots, drive to the basket ?cause it was hard for them to guard us straight up, man-to-man. So we took advantage of it.
audience connected experience fan huge movies people putting seeing singular suddenly
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
hangover thinking littles
I think that 'Hangover II' is as funny as 'The Hangover I,' honest to God, but I think that it's a little bit darker, and the stakes are a little bit higher.
thrill vicarious escapism
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
looks film
I just love the look of film. But I have nothing against HD.
las-vegas decision sound
Bangkok, like Las Vegas, sounds like a place where you make bad decisions.
kissing bye guy
There's such an awkwardness to most heterosexual male relationships. You see women who are friends, and they kiss each other good-bye, and they're just so much warmer with each other. But there's this thing with guys where, even between best friends, there's a standoffishness.
hangover school laughing
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'
photography filmmaking
I really got into filmmaking through photography.
issues guy missing
You're only as good as your body of work, and everybody has issues, whether it's Steven Spielberg or Martin Scorsese. I'm not comparing myself to those guys, but you learn more from the misses than the hits.